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Mickey Haller from The Lincoln Lawyer is getting ready to start working again after not having practiced in a year. He's not going to make the same mistake as the last time he thought himself ready; this time he really will make a slow start of it. But then he is called to the offices of Los Angeles Head Judge Mary Downes Holder and everything changes.Jerry Vincent has been found murdered in his car, shot at close range. Like Mickey Jerry was running a one-man-firm and they had both put each other down as formal back-up in the case anything would happen to one of them. Now Mickey is suddenly responsible for 31 clients and their cases. They have the right to choose another lawyer if they wish to, but Harry has the first chance to take on their case.
One of the clients is Walter Elliot. Elliot is an executive in a movie studio and accused of having killed his young wife and her lover. The kind of client that would bring fame and fortune to the lawyer assigned his case. To be allowed to keep Elliot as his client Mickey has to promise to not ask for any continuences and the pressure is high getting the defence ready in time.
At the same time he is under pressure from the detective investigating Vincent's murder, Harry Bosch to provide some clues to who might want to kill Vincent and why. Bosch points out that the killer might believe that Haller now is in possession of all the information Vincent had and therefore a target himself. Haller wants to see Vincent's murderer caught and works with Bosch as far as possible without breaking the rules of the bar. He is also willing to put himself in danger if that is what it takes.
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There are some writers you can depend upon. At least it's that way for me; it's like their style is on my wavelength and reading their books is as easy as thinking for me. Michael Connelly is one of those writers for me. If I start reading one of his books I'm hooked until it is finished, and I miss it as soon as I put the book down.
It was the same with The Brass Verdict, I was hooked from the first page. I am always nervous when I know I'm going to get an outsider's perspective on Harry Bosch; he is one of my favourite men and no one but me is allowed to critisize him. As most of Connelly's characters Bosch has flaws, as do Mickey Haller.
And I like Haller a lot too. He has a sharp intellect, but is not suffering from arrogance but makes sure to surround himself with competent people he can trust; his ex-wife Lorna and the investigator Cisco. He keeps reminding himself that everybody lies, the police lie, the lawyers lie, the witnesses lie, even the victims lie. But he is not cynical, he can still feel compassion and is willing to offer a second chance.
Despite the inherent suspicions between defence lawyers and the police an understanding is developing between Bosch and Haller. The faithful Connelly reader will know why this might be the case, and this is also revealed later in the book.
The intrigue in the book is very cleverly constructed. And the tempo varies in a way that makes me feel involved. Connelly has a great sense for when he should share the details of the work Haller is doing preparing for the trial and when he needs to speed up the text to increase the excitement.
I've previously held Scott Turow's book Presumed Innocent as the best legal thriller; a detailed insight into a crime investigation, someone seemingly falsely accused, several other possible suspects but no obvious guilty party, lies, betrayal and tension right up until the last moment. And then the astonishing reveal of the true culprit. But I believe The Brass Verdict has now put itself on that number one position.
Also this is not a book that wallows in violence or graphic descriptions of violence. It is the analysis of information and human behaviour that is the focus of this book. And goodness and compassion win in the end.
I recommend everyone to read this book.
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